Stanley George Miller, better known as Mouse, is a psychedelic rock artist. His work includes iconic album covers, concert posters, and more. Most notable are his cover designs for the Grateful Dead and Journey. You may recognize his name from the Grateful Dead album cover, “Sidewinder,” or from other Grateful Dead album covers.
Stanley George Miller
If you’re a fan of psychedelic rock, then you know the work of Stanley George Miller. The artist is most famous for his album covers and concert posters from the 1960s. He has also designed posters for Journey and the Grateful Dead. Here’s a look at some of his most notable pieces.
The Grateful Dead performed a benefit concert for Stanley Mouse in 1993. However, the money that was raised was stolen. Fortunately, the State of California paid for his liver transplant. His work is featured in several museums including the Marin Museum of Art. Currently, he lives in Sonoma County, California.
Known as “Stanley Mouse,” Stanley George Miller created many iconic concert posters during the 1960s. His work includes posters for Bill Graham, The Family Dog, the Grateful Dead, and Journey. He also collaborated with Alton Kelley to create the iconic Woodstock signage. This work made him a cult artist, and was considered one of the most important artists of the era.
Born in Fresno, California, Stanley George Miller spent his early years in Detroit, Michigan, where he absorbed the culture of the Motor City. While attending high school, he met Rick Griffin and Ed “Big Daddy” Roth. Later, he discovered the psychedelic scene of San Francisco.
In the late 1960s, Stanley Mouse was the leading poster artist of San Francisco rock concerts. He was a collaborator with Alton Kelley, and was born in Fresno, California. The artist’s father was an animator at Disney Studios, and he worked on the movie Snow White. He earned the pen-name “Mouse” in his seventh grade, and completed his formal education at the Society of Arts and Crafts in Detroit.
Detroit, Michigan
Growing up in Detroit, Michigan, Stanley “Mouse” Miller developed an early love of Kustom Kulture. Despite his early expulsion from high school, he soon found a niche in the Detroit hot rod scene by creating incredible paint jobs on his favorite cars. Later, he started applying his favorite subjects to T-shirts with an airbrush.
Miller’s art was influential to the hippie movement. His designs were often inspired by his father, who had worked as a Disney animator. In the 60s, the hippie movement influenced most of the arts, and design and music worked hand-in-hand to spread a message of love. His illustrations for popular musical artists became some of the most iconic images of the time.
In the late 1960s, Stanley returned to Detroit and was awarded a one-man show at the Detroit Institute of Arts. After a few years, he moved to London to paint a Rolls Royce for Eric Clapton. He also worked on other projects in London, including the Woodstock festival signage. He later came back to the United States, where he met Alton Kelley. Together they collaborated on Woodstock signs.
In his early life, Stanley George Miller began to draw as a child. His father was an animator who worked on the 1937 Walt Disney film Snow White. At the age of five, he learned to draw a perfect circle. As a teenager, he started writing and signing things as “Mouse.” Later, he became known as an illustrator.
After graduating high school, he decided to attend an art school in downtown Detroit. While attending, he also drew cartoons on cars and T-shirts. Soon, his family allowed him to set up a booth at the Michigan State Fair. He also sold his work at hot rod shows and races.
Psychedelic posters
The psychedelic posters that Stanley Mouse Miller created in the 1960s are among his best known works. He was a notable contributor to the psychedelic rock posters that appeared on Grateful Dead and Journey albums. However, he did more than just create psychedelic concert posters.
Miller was also a talented artist who airbrushed hot rod designs onto T-shirts. He later moved to San Francisco and began to collaborate with artists associated with the Family Dog group, who produced dance concerts at the Avalon Ballroom. The psychedelic posters created by this group of artists were a major contribution to the psychedelic movement.
Kelley and Mouse met in San Francisco, where they were members of the Family Dog hippie collective. Together, they helped start the San Francisco psychedelic scene. The posters featured the Zig-Zag cigarette man and were a staple in the San Francisco psychedelic scene.
Stanley Mouse Miller was also a prominent contributor to San Francisco rock concert posters in the 1960s. He worked with Alton Kelley and other artists. Miller was born in Fresno in 1940, but grew up in Detroit, Michigan. At a young age, he displayed his talent and was nicknamed “Mouse” by his schoolmates.
Miller collaborated with other artists like Rick Griffin, Victor Moscoso, and Wes Wilson. They also produced Grateful Dead album covers. They also worked on posters for other concert promoters. They also worked on a lucrative line of hot rod memorabilia. He worked with musicians and artists to create their own unique posters.
Many of the iconic psychedelic posters are aimed at capturing the essence of the psychedelic experience. They often feature colorful, bold colors, and organic typography. A great deal of attention has been paid to the artist’s work.
Psychedelic music
In addition to being an influential figure in the world of psychedelic music, Stanley Mouse Miller is also an artist. He became known as “Mouse” after airbrushing hot rod designs onto T-shirts. After coming to San Francisco in 1964, he became involved with a group of artists known as Family Dog. These artists were involved in producing dance concerts at the Avalon Ballroom. They teamed up with a local graphic artist named Alton Kelley, and they began working on posters for psychedelic music concerts.
Miller was born October 10, 1940, in Fresno, California. He later moved to Detroit, where his father was an animator for Disney Studios. As a child, he displayed a talent for drawing, and at the age of seven, he was nicknamed “Mouse”. He went on to receive formal art training from Detroit’s Society of Arts and Crafts.
During the 1960s, Mouse collaborated with various artists, including Rick Griffin, Victor Moscoso, and Wes Wilson. He was also invited to paint a Rolls-Royce for the legendary guitarist Eric Clapton, who had recently been involved in an accident. Later, he met the Beatles and the Institute of Arts in Detroit.
The artist and graphic designer Stanley Mouse Miller was born in Fresno, California, but grew up in Detroit, Michigan. He was expelled from high school in 1956 for “graffiti.” Upon returning to school, he attended the Society for Arts and Crafts in San Francisco and became fascinated with the growing airbrushing scene. In addition, he began selling T-shirts and started a successful hot-rod memorabilia company. He also designed album covers for The Grateful Dead, Neil Young, and Jimi Hendrix.
The 1960s were an era of social revolution, nonconformity, and youth culture. These movements led to the development of the hippie subculture in San Francisco’s Haight Ashbury district. Hippies used psychoactive drugs and explored altered states of consciousness.
Grateful Dead
Stanley George Miller, also known as Mouse, is an American artist whose works are reminiscent of 1960s psychedelic rock concerts. His work includes album covers for the Grateful Dead and Journey. He is best known for his designs of Journey album covers and concert posters. Aside from his work with the Grateful Dead, he has also created artwork for the Grateful Dead and their fans.
Artists Stanley Mouse and George Miller have a long-standing association with the Grateful Dead. The duo have designed numerous album covers and concert posters for the group. They are particularly noted for creating the iconic skull and roses images that were so popular during the Grateful Dead’s heyday. This original pencil sketch features a signature from Miller at the lower right, and measures 17 1/2 x 21 inches.
The original band name, Stanley Mouse Miller and the Grateful Dead, had some members questioning its appropriateness. It’s not a bad idea, though, as it conjures up visions of skulls and other eerie images. Moreover, the band name was not well-received by the Grateful Dead.
Stanley Mouse Miller and the Grateful Dead are among the most iconic rock bands of the past century. They have influenced generations of artists. And their era of rock music is not over yet. The band has been a part of Californian culture since the mid-60s. However, they were unable to be part of the Woodstock scene.
The Grateful Dead were instrumental in paving the way for the new era of rock music. The Grateful Dead were also influential in the evolution of the psychedelic sound. But in the end, it’s their concert posters that have made them so famous.